HNGD Gibson Les Paul Studio faded

Epiphone Les Paul Epiphone Les Paul Dating back to and once a major rival of Gibson, the Epiphone company and brand were purchased by Gibson’s parent company in Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models. All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility. Around , Les Paul, a legendary musician and musical electronics and solidbody guitar pioneer, created one of his early solid bodied guitars after-hours in the Epiphone factory out of a 4X4″ piece of wood. On to this he later attached side “wings” from a Epiphone hollowbody guitar in order to give it a more conventional look. This guitar, known as “The Log”, was later shown to Gibson executives, who initially passed on the idea of building them, but they changed their mind within a couple of years and the Les Paul Model guitar as we know it today was first released in These early “gold top” models were later joined by the black Les Paul Customs, and then the sunburst “Standards” of the late s. Several Epiphone Les Paul models are very close to the classic Gibson models upon which they are based, while other models are designed with different features to keep the entry price low for students and budget-minded players. For example, some Epiphone Les Paul models use bolt-on neck construction and “slab” bodies which are generally less expensive to manufacture, while others stick with tradition and have arched maple tops and glued-in necks like their high-end Gibson counterparts.

Gibson Les Paul Studio Smokehouse Burst

Not Peggy Lee Format: Only tracks featuring Peggy Lee are listed above in other words, not the full track listing. In its heyday, this track album was a treasure trove of debuting masters. Seven tracks were making their very first commercial appearance. It should be noted, in passing, that this album has a companion piece, titled Benny Goodman Presents Fletcher Henderson Arrangements. The two albums share the same release history, but the Fletcher Henderson item does not concern us here, because Peggy Lee is not featured in it.

I was also aware that the chances are if I bought the Epi in another couple of years I would eventually want to move up to the real thing whereas if I bought the Gibson it was potentially a guitar for life.

Tuesday – Saturday 10am – 6pm Sunday – Closed Online 8 days a week! If you have any questions regarding payment please ask. The shipping price you are charged covers transit, insurance, proper packing, and tracking. If you prefer another shipping method please let us know so we can accommodate your needs. In the event of damage in transit we will help facilitate a claim with the shipping company to ensure full refund.

Returns We offer a 72 hour approval period on all guitars, amplifiers, and pedals from the date of purchase for in store transactions or date of delivery for internet orders. In the event of a return the buyer pays all shipping and insurance costs and any other fees associated with the transaction. All returns must be approved by phone or email and must be returned in the exact condition they left our store.

For logistical reasons we are unable to extend our 72 hour return policy on any transaction involving a trade, both in store and online.

Gibson Les Paul Studio Tribute

Here it is in “Iced Tea. With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.

Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the s and s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, creme-colored pickguard.

This is an alternative to my SansAmp solution.

This resulted in the so-called lawsuit period. During this period, Ibanez produced guitars under the Mann name to avoid authorities in the United States and Canada. The company has produced its own guitar designs ever since. The late s and early s were an important period for the Ibanez brand. Most Ibanez guitars were made by the FujiGen guitar factory in Japan up until the mid- to late s, and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China, and Indonesia.

Cimar and Starfield were guitar and bass brands owned by Hoshino Gakki. In the s, Hoshino Gakki and Kanda Shokai shared some guitar designs, and so some Ibanez and Greco guitars have the same features.

GuitArcher: Comparison: Gibson Les Paul Studio vs. Epiphone Les Paul Standard

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The fretboard was better finished on the Gibson and it just sounded more open and clear.

See More Back One of the most respected guitar manufacturers in the world, Epiphone electric guitars can be found everywhere from small-town basements to the biggest arena rock stages. The reason is because of their dedication to providing high-quality instruments for musicians of all tastes and skill levels, and throughout this catalog you’ll find more than enough choices to prove it. After all, everyone who has a desire to crank up and play deserves an electric guitar that looks, sounds, and performs flawless, and Epiphone has an option for every budget.

It’s easy to see how trusted the Epiphone name is when you consider how many best sellers and top-rated items make up this section. For that matter, all you have to do is look at the many top-recording artists who have Epiphone signature models, including metal legend Zakk Wylde, virtuoso Gary Clark, Jr. Sporting a gorgeous Pelham Blue with a black back and a Bonamassa neck profile, this axe looks as slick as it plays.

As for its sound? Now for those who prefer the lightweight feel and ringing sound of a semi-hollow, go with the Dot Electric Guitar. Equipped with dual humbuckers and a 3-way pickup selector, the Dot can go from growling snarls to crystal-clear sustain. Additionally, the two volume tone controls allow you to tailor your sound, while the smooth, fret rosewood fretboard means you can play at lightning-fast speed.

Les Paul Guitar Kits, A DIY Classic

In , however, the Standard that is recognizable today was released and has been popular ever since, with world famous musicians such as Jeff Beck and Paul McCartney wielding one on stage. Body The body of a Les Paul Standard is crafted with the same arch-top design that can be found on nearly all Les Pauls, and like most Gibson guitars, the ’93 Standard’s body is made from pure mahogany, with a maple top.

Although by the s most models were available in an array of colors, the sunburst body design is still the defining color for Les Paul Standards, dating to the original version, which was the first Les Paul not to have a purely gold top. The Standard weighs just under 10 pounds. Neck and Fingerboard The neck and fingerboard of a ’93 Standard have the same basic design as most Les Pauls.

The main message we have is to individuals.

With Ted McCarthy at the helm, the Gibson Company wanted to make sure they acquired a share of the solid body market, and came up with the concept of approaching a well known musician, Les Paul , to design a range of solid body electric guitars. Interestingly, Les Paul had already approached Gibson in with some designs and ideas for an electric solid body guitar, and had been ridiculed by Gibson. There is some ambiguity over just who designed which parts of the original Les Paul, with Les Paul himself telling a very different story to the Gibson employees at the time.

In the Gibson version of the story, the company had already completed the design of the Les Paul before Les was approached to endorse it, the only modifications he made to the design were bridge and the name itself. The story told by Les himself is a little different, he tells that he already had the ideas for the Gold Top and the Black Custom, and Gibson gave him the final say in every part of the design process. The original Les Paul design later came to be known as the Gold Top, due to the actual finish of the guitar.

Most Les Paul guitars produced in this period came with a maple top that was gold coloured, with the back left natural. Hence gold on top, or Gold Top. The actual finish of the guitar was accomplished using a bronze powder, and over time, this took on a greenish due, resulting in the unmistakable vintage Gold Top look. A matter of contention was the original Trapeze tailpiece, which was implemented incorrectly by Gibson according to Les Paul.

Les had intended for the strings to wrap over the tailpiece, not under as the production models came out. This made playing using right hand dampening techniques virtually impossible. In Gibson finally decided that Les was right, and changed the tailpiece, as well as the angle that the neck joined the body. This resulted in a vastly improved playing experience.

Gibson Les Paul Standard

The key feature of the Les Paul Classic was it’s slim neck profile. The Les Paul Classic also had some other features true to the original: Some differences were the Les Paul Classic’s truss rod cover with “Classic” and pickguard engraved ” The Classic’s higher price was justified by its reissue-yet-modern vibe and was further enhanced by availability in several sunburst finishes, and in bullion gold on the top, sides, back and neck.

There was no special effort to find figured maple for these so most of the tops on sunburst Classic models were plain.

I have played many Les Paul models, nice guitars, but no better or worse than others.

With all the fat, sweet, snarling Les Paul tone that purists love, the Gibson Les Paul Traditional Pro IV sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides and neck have a smooth satin finish that feels great and lets the wood resonate fully. Period-Correct Pickguard The cream-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.

Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the s and s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, cream-colored pickguard.

These new pickups feature nickel-plated pole pieces, nickel slugs, maple spacers and 4-conductor braided wiring. The user-adjustable 10 dB boost circuit injects added power and frequency range for solos, single-note picking and dirty chording depending on amp settings and features true bypass that disengages the boost completely, ensuring pure passive Les Paul tone.

Revolutionary Plek Set Up The Plek is a German-made, computer-controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret to tolerances within. This pioneering process does in minutes what it takes a luthier several hours—sometimes even days—to accomplish.

Les Paul Guitar Kits, A DIY Classic

Go to menu top I never heard anything better than a Fender if we’re talking about the big manufacturers. Later on, in the Guitar section, I’ll also talk about Standel and EchoSonic , but they’re produced in such small numbers that it’s fair to say they’ll only have historic interest to the most of us So As long as you get a tube Fender you’ll probably be on the right track, because they all sound pretty good.

It doesn’t have to be vintage at all, but they do look pretty cool. Actually I started out playing a vintage Vox AC 30 and it wasn’t bad at all.

At first glance, not a whole lot seems different compared to the older Standards although the cut of the body feels marginally thinner.

Brutus’ live performances reached a pinnacle with a sold out performance at Toronto’s Ontario Place. Bachman—Turner Overdrive is a Canadian rock group from Winnipeg, Manitoba, that had a series of hit albums and singles in the s, selling over 7 million albums in that decade alone. Their s catalogue included five Top 40 albums and six U. Top 40 singles ten in Canada. The band has sold nearly 30 million albums worldwide, and has fans affectionately known as “gearheads” derived from the band’s gear-shaped logo.

The Band was a Canadian-American roots rock group that originally consisted of Rick Danko bass guitar, double bass, fiddle, trombone, vocals , Levon Helm drums, mandolin, guitar, vocals , Garth Hudson keyboards, saxophones, trumpet , Richard Manuel piano, drums, baritone saxophone, vocals and Robbie Robertson guitar, vocals. The members of the Band first came together as they joined rockabilly singer Ronnie Hawkins’ backing group The Hawks one by one between and In , they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires.

Gibson Les Paul Studio Serial Numbers

Le Journal, 19 January Newspaper “Le Printemps en fil de fer. Newspaper, Exhibition Review Caby. Sculptures bois et fil de fer de Alexandre Calder.

I have played many Les Paul models, nice guitars, but no better or worse than others.

There are many people out there who dismiss me as an asshole simply because they don’t know the facts. It is a poor business practice for me to point these things out and call attention to Gibson’s blunders. Why do I do it then?? I could probably make more money if I just bit my tongue and looked the other way like everyone else does. There is no consumer reports in the guitar business. All the magazines are on board with their advertisers and will never reveal any of the things you will see on my site.

I know I’m fighting a losing battle, I’m one guy standing in a hard wind. I like money just as much as the next guy. I just cannot sit still for all the hype that this substandard, short-necked, easily broken, corporately made cheap instrument gets simply because the media likes to take care of their advertisers. I get these indignant calls from Gibson owners who call me up all ready to start bashing me on the phone. They usually grudgingly agree with what I have to say.

Occasionally someone cannot be convinced. But those calls are extremely rare. I make a little progress every day and I enjoy trying to make things better.

Gibson 2016 Les Paul Studio T


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